Deep Dive: How FIs Are Looking Beyond Traditional Know Your Customer Data To Spot Synthetic ID Fraud

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    Fraudsters and financial institutions (FIs) are constantly evolving to best each other, and growth in synthetic ID fraud is revealing that many banks must enhance their security measures to stay in the lead. Traditional fraud-fighting methods can fail to detect this subtle form of deception, in which criminals cobble together details from numerous consumers to create unique identities. Fraudsters could pair one individual’s Social Security number with another’s passport information, for example — and these IDs can include some fake details as well. 

    Cybercriminals often use these identities to set up bank accounts and apply for credit cards and loans. One common attack method — known as bust-out fraud — involves fraudsters tricking banks into letting them open accounts and establishing reputable credit histories until they qualify for sizable loans. These criminals then apply for and receive funding and ultimately vanish without repaying. 

    Researchers dubbed synthetic ID fraud the “fastest-growing form of identity theft” in the U.S. in 2019, and criminals reportedly used these attacks to make off with $14.7 billion from the nation’s consumers in 2018. Most banks still need to upgrade their security methods to handle the issue, too. One study found that FIs’ traditional fraud detection approaches failed to flag between 85 percent and 95 percent of credit applicants believed to be using synthetic IDs, for example. 

    Banks have often relied on credit scores to assess these applications, but bad actors using synthetic IDs can develop good credit histories before ultimately busting out. This month’s Deep Dive delves into how synthetic ID fraudsters slip past traditional defenses and examines how FIs can adopt sophisticated fraud-fighting strategies to stop them. 

    How Cybercriminals Power Synthetic Id Fraud

    Banks typically verify new customers’ identities by asking them for personal details such as their employment information, previous addresses and Social Security numbers (SSNs). This data is often publicly available, however, and data breaches have also made it far easier for criminals to obtain such details and use them to fashion compelling and realistic fake IDs. More than 471 million consumer records were exposed in 2018, for example, giving fraudsters ample access to information with which to launch their schemes. 

    Fraudsters often attempt to victimize consumers who are least likely to realize that their details have been stolen and are being illicitly used. Many cybercriminals take SSNs from elderly consumers, for example, who are less likely to check their credit scores and discover that something is amiss. Bad actors also steal personal data from children, who frequently do not discover that their information has been abused until they are old enough to apply for bank, credit card or mobile phone accounts. This could be why synthetic fraud scams are 51 times more likely to involve children’s SSNs than those of adults. Criminals’ skill at hiding their ploys from consumers makes it all the more important for FIs to shore up their defenses to thwart or catch them. 

    Frustrating The Fraudsters

    FIs must ensure that account applicants provide personal details that truly belong to them, which can involve more rigorously verifying that SSNs line up with other application information. Credit reporting agency Equifax recommends that banks check to see if the names and addresses on applications are associated with SSNs that differ from those given, for example, or if the SSNs provided appear in different consumers’ records. SSNs that cannot be matched with specific consumers could also indicate fraud. 

    The U.S. Social Security Administration also sought to offer FIs additional identity verification support, creating a digital service that allows FIs to confirm that the SSNs, names and birth dates provided during account openings match those the government has on file. The program was announced last year and launched as a pilot in June, but it is slated to be offered to more participants later this year.

    Banks are incorporating harder-to-steal details in their verification processes as well, looking beyond knowledge-based information and gathering details about customers’ online behaviors. FIs might examine whether account opening requests purported to be from certain consumers have been sent from the same devices they typically use when engaging online, for example. FIs can also check whether requests are coming from devices or through channels that could be associated with fraudsters. 

    Users’ behavioral patterns can likewise help FIs decide whether consumers’ account opening attempts are legitimate as these details can be harder for fraudsters to replicate. Banks can deploy machine learning (ML) tools to sort through and analyze the vast amounts of data required for this approach. Such advanced learning solutions enable FIs to process more information than human staff could, too, empowering banks to gather insights into each user’s unique behaviors. 

    Effective fraud-fighting requires constant innovation, and FIs need to expand their data collection efforts, tap more resources to verify consumers’ identities and leverage advanced analytics to get ahead of the latest ploys. Moving beyond traditional security approaches can help them tackle synthetic ID fraud and better safeguard the financial industry. 


    MIT Student Invents Breakthrough Art Restoration Technique

    artwork

    Ever since he was a child, Alex Kachkine has been fascinated by paintings. He would visit museums and was drawn in by the visual art depicted in landscapes, historical figures and religious scenes.

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      “Anytime I visit New York City, the first place I go to is the art gallery,” Kachkine said in an interview with PYMNTS. “It’s been a lifelong passion of mine.”

      Such adoration naturally means Kachkine would look to acquire art works of his own. But with a limited budget, the MIT graduate researcher with a discerning eye instead bought damaged oil paintings he could restore.

      “I ventured into art conservation around 10 years ago when I realized that you can’t buy a Monet reasonably,” Kachkine said. “But you can, even with the limited income I had back then, buy damaged paintings. And I realized that I could take one of those damaged paintings, restore it, and then I would have a really nice painting.”

      Kachkine knew that restoration is manually laborious. The painting has to be cleaned of debris and any past restoration efforts have to be removed as well. Then, the damaged parts in paintings have to be manually painted while staying true to the artist’s style.

      This typically means months to years of painstaking work. Kachkine did it the traditional way at first, but thought there must be a better way. So, he invented a method using artificial intelligence (AI), transfer paper, printers and varnish. His paper describing the technique is published in the journal Nature.

      Kachkine said his method greatly speeds up restoration: In repairing a 2-foot by 2-foot painting, “The Adoration of the Shepherds,” from the late 15th century, he spent 3.5 hours compared to 232 hours it would normally take to do it manually. That’s faster by 66 times.

      Source: “Physical restoration of a painting with a digitally constructed mask,” Nature

      Taking the cleaning time into account, his method would speed up the entire restoration process by four to five times, Kachkine said.

      Around 70% of paintings in institutional collections are not displayed in public due in part of the cost of restoring them, according to Kachkine’s paper. Therefore, restoration efforts typically center around the most valuable pieces of art with the rest left buried in storage.

      Kachkine said various AI models are able to generate images of damaged paintings as they would look fully restored. But these would exist only virtually. He said his technique is the first to translate the digital restored image into physically restoring the actual painting.

      “This is the first time we’ve been able to take all of those digital tools and actually end up with a physically restored painting from them,” he said. “And it’s so much faster than doing these kinds of restorations by hand.”

      How Gen AI Helps Restore Paintings

      The process begins with cleaning the artwork of debris and old restoration efforts. Once cleaned, the painting is scanned to produce a high-resolution image. Kachkine then uses a variety of Adobe-integrated digital tools, including convolutional neural networks and partial convolution models, to reconstruct missing regions.

      Once the digital restoration is complete, a transparent film mask is printed with the reconstructed imagery. This laminate consists of nine ultra-thin layers, including a white backing for color vibrancy and laser-printed pigments. The result is an overlay that sits precisely on the original painting, with printed colors covering only the damaged areas.

      “It’s thinner than human hair,” Kachkine said, adding that the film is removable using standard conservation solvents, preserving the artwork underneath.

      The ethical implications of this method were also central to Kachkine’s design. He developed algorithms that determine which regions to restore based on how human vision perceives color and contrast.

      “We really only select the damages that human vision is sensitive to,” he said. “You can tell what areas have been restored and which have not. That’s really important from an ethical standpoint in conservation.”

      At first, Kachkine said he wasn’t sure how his method would be received. But he was gratified to see broad interest from conservators, cultural institutions and private equity firms. He also has a GoFundMe page.

      Kachkine said he is now collaborating with the Italian Ministry of Culture on restoring frescoes in earthquake-damaged chapels in Tuscany.

      His dream painting restoration job would come from the Italian Renaissance.

      “There are a number of Italian paintings, especially around the Renaissance, that have very bright colors” such as Raphael, Kachkine said. “I’d love to be able to restore one of those [paintings] where before restoration, it would be very difficult to appreciate all of the fun colors that might emerge and the interesting textures that are there.”

      “That’s the dream,” he said. “It might take a little bit before I could get my hands on one, but I’ll keep trying.”

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      Photo: MIT graduate researcher Alex Kachkine looking at a painting. Credit: Alex Kachkine